Of Men and Man-Children

We've talked about action heroes recently around here, so as the natural progression (or regression?) dictates, the time has come to talk about lovers. Ok, so it's really not the progression, it's more the fact that I've been thinking about this post for over a year now, and well, it's high time. And reading the beginning of this excellent post about the evolution of love stories over the decades reminded me of it.

Rockstar - my favourite love story lately

It's hard to ignore the fact that for the past 10 years of Indian cinema a new prototype of hero/lover has evolved, and it's more or less adequately summarized in one word: the man-child, defined as an immature grown man who still has no direction in life, nor much emotional maturity. Without getting into how generation Y is probably the biological father of this character, while globalization is its mother, we'll have to accept the fact that for the past decade it's been the back-bone of most love stories. And some non-love-stories too!

Wake Up Sid! - the title says it all

Gone are the days when fate or a fortuitous chain of events would finally unite the lovers who had agreed to call it quits for the sake of their families. Gone are the days when the crushed lover was willing to let the girl he loved walk away with the other man, and if we still see that man, he is no longer the hero, he has become the other man, pushed somewhere in the background while the main couple holds the sympathy of the audience firmly away from him. Sure we get all kinds of excuses for it: he was abusive (City of God), he was cheating (Kismat Konnection), he was too boring (I Hate Luv Storys), he was not really in love with her (Mere Brother Ki Dulhan), and sometimes no excuse is even needed (Rockstar), but the general rule is that it's the hero's right to get the girl. He certainly seems to think so. And it's this sense of entitlement that is, I feel, the first and most important trait of the man-child.

Sure, there's something to be said for his immaturity, as well as for his self-centered-ness, or for his fear of commitment. These are admittedly all important for his characterization, but unlike the sense of entitlement, they're nothing new. And this is also something that puzzles me personally, because there are few things I hate more in this world than entitlement. And yet... and yet, I am always on the side of the man-child, no matter how spoiled and obnoxious he is.

Dil Chahta Hai - the movie that started it all!

Thinking back about the lover prototype of the 90s/early 2000, one thing seemed to consistently annoy me in all the movies that I couldn't avoid from that decade (though for the most part I did well with avoiding them): the hero's helplessness. Devdas and his eternal self-pity, Raj willing to give up his Simran because the parents said so, Sameer's departure for similar reasons, even Ram giving up Sita for the sake of his people and his honour. All examples of the kind of man I would despise. What use do I have, as a woman, for a man who will not fight for me? How is this coward the ideal husband? Maybe that's why despite their extreme OTT-ness, I found Aamir Khan's old movies more palatable: he never did play the hero that just gives up. For all the ridiculousness of the chair-marriage in Dil, the man at least had the balls to stick to his guns. Don't get me wrong, I avoid those as well (sorry Aamirou), but when I do watch them, I appreciate that at least I don't have to yell at my TV screen: GROW A BACKBONE ALREADY!!

Devdas - It doesn't get much more pathetic than this

I don't know if it's my generation, my upbringing, my star sign or something altogether different, but giving up is not something I would ever have sympathy for. And my real life aversion for weak people seems to translate to my filmi preferences as well. So for all his alleged cuteness (I suppose that's a matter of taste with actors like SRK and Salman), I cannot cheer for a hero who puts his hands up and goes to mope in a corner. Unless of course, she's the one pushing him away, in which case insisting would turn into stalking and we all know how much I hate that.

So I guess when I think about it this way, I'm not really admiring the new hero's sense of entitlement, but rather his willingness to stay and fight once he finds the one thing he cares about. Whether it's through ridiculous and completely implausible plot twists, a la Break Ke Baad, or through hilariously complicated plans a la Mere Brother Ki Dulhan, or with the wild determination of a jungle predator a la Ghajini, or just by speaking up a la Dil Chahta Hai, I find myself always attracted to this hero who doesn't know what quitting means. Obviously all this goes for the heroine too, though sometimes I can understand her weakness where I would have zero tolerance for his. Still, it's much nicer if she is as determined as him.

Mere Brother Ki Dulhan - a most tenacious pair!

On the other side of the coin, it occurs to me that this is most likely why I hated Mausam. But let's not digress.

Yes, he's a man-child, and yes, he needs to do some growing up, and yes, he will probably do at least 2 or 3 offensive things in the course of the movie, but when it's all said and done I am guaranteed to not see him feeling sorry for himself until the girl decides to call it off. And even then, in most cases, that's the catalyst for his growth (whether it's growing up, growing stronger, or growing famous), so you never get that sense of self-inflicted helplessness from him.

I don't mind spoiled brats. Of course, we'd never work out in real life, but they do rather amuse me on screen. I do however get an irresistible urge to slap them when they turn out to be quitters too, on top of being brats. And this seems to be the difference between me hating Devdas and loving Dev D. Between unabashedly despising Hum Dil De Chuke Sanam and embracing Jab We Met. Between thinking Dil To Pagal Hai's ending is a lame cop-out and finding the ending of Dil Chahta Hai exhilarating. And let's not even try to pit Dilwale Dulhania Le Jayenge versus Rockstar. Talk about going for it!

Jab We Met - selflessness done right

Now don't get me wrong, before the desis start explaining to me the importance of family, honour and "doing the right thing", let me preemptively state that I am vigorously of the opinion that no one who loves you should ever stand in the way of your happiness. Also, in terms of parenting, I firmly believe that the young ones should be allowed to make their own mistakes, though feel free to practice your "I told you so" diction in the mirror all you want in anticipation of their failure. So with that in mind, I guess it boils down to: why care about the family honour when the family couldn't care less about your happiness? And if others do and can relate to these heroes, so be it. I just don't think I will ever be persuaded to.

If I absolutely have to have a Raj, I'll take Saawariya's Raj, despite all the film's faults, because at the end of it all, he's still boxing with unhappiness.

Saawariya - so many things wrong with this one, but what a memorable Raj!

If I have to talk about a noble soul who gives up the woman he loves, I'll talk about Jab We Met's Aditya Kashyap who goes on to make something of his life as a result of his heart-break. If I am to love a quitter, I will choose Lakshya's Karan who, despite his completely unrealistic trajectory, makes a strong case for learning from one's failures. And if I am to cheer for a man who chooses the honour of his family over the happiness of the woman he loves, I'll choose Pinjar's Rashid because he more than makes up for it.

Pinjar - another favourite love story, and don't think there are that many!

While they may not all be man-children per se (unless we broaden the definition to encompass all emotional immaturity), they all go against the norm of the mopey, honourable end-of-century lover as made famous by Shah Rukh Khan, though far be it from me to lay the blame solely on him. It was definitely a trend everyone was a part of, he just happened to be the most famous, and therefore his movies are the hardest to avoid. So you know, I tend to rip on him more, but the problem extends to most movies from the 90s and early 2000s.

Taal - Oh, don't even get me started!

I find that the past decade has happily solved this problem for me! They may have brought in the slacker to replace the struggler, and the video-games player to replace the hard working college student, but hey, it's the SMS generation, isn't it? There is a short cut for everything, values and ethics have definitely changed.

Tere Bin Laden - how do you not love this slacker? And see, it doesn't even have to be a love story!

I must say I do love this generation. It's not just that I love the actors and the fact that they refuse, for the most part, to be stuck in the same role, but I also love this spirit of independence, this effervescence and yes, this streak of immaturity about it. On and off screen.

I love that they want the world and they think there's no reason why they shouldn't get it. Yup, I'll take the immature fighter over the mature, righteous quitter. Any day.

Road, Movie - what a classic!

Hilarious What If's

I get a kick out of imagining what would happen if someone walked into a Bollywood song, but it was happening in real life. Picture this:

1) You're alone in Mumbai, you're a tourist, and your wallet gets stolen at 2 am. What do you do? Personally I'd find the closest Police station to go and report it. That's because I'm not really on Facebook, if I was I would probably post it there first. But anyway, so I'm in front of that police station, I walk in... to find this:


Humka Peeni Hai - Dabangg

Uh... the police officers are all drunk and dancing using rifles as props... Is this the right place? After the first few seconds of amazement, what would you do? Would you join in the dance? Would you pull out your camera (that miraculously didn't get stolen along with your wallet)? Would you walk out? Would you try to get someone's attention to solve your problem? Would you write an article the next day for Bombay Times lamenting the sad state of affairs in today's urban India? If you're anything like me, you'd probably continue to stand until the end of the song tapping your foot to the music and shaking your head in amazement, really wanting to join in the dance but much too shy to. Yeah... my reactions are usually pretty boring, so maybe we'll do the next scenarios without them...


2) Here's another one...
You're in the rented car, traveling to the countryside, patiently waiting in the scorching sun for the train to pass already so you can be on your way. And this comes along:


Chaiyya Chaiyya - Dil Se

WTF: A bunch of people jumping up and down on a train?? Oh wait, there's a hot chick too, and some dude that can't dance, oh he must be the star! It's going slowly enough: should you jump on? Do you get out of the car and start dancing outside until the train goes? Do you call your mother and tell her to get you on the first plane back from this crazy country? Do you snap a picture of Mallaika pulling a Marilyn Monroe and then try to sell it to the newspapers? Do you start running after the train hoping to catch SRK and get an autograph? So many options, such little time, the train is already gone. But if you wait long enough you might see this one passing by:


Aa Ante - Arya

Well, lucky you, these ones even get off the train, and the guy can dance! Good thing you waited!


3) You're in the middle of your wedding cocktail party, have been up since 6 in the morning and running around all day, you're now trying to make sure everyone is well taken care of, that everyone has a drink, that no one is feeling left out, basically doing what everyone does on their wedding day: stressing. And to add to your mild case of hysteria, your event planning company is nowhere to be found. Then all of a sudden:


Ainvayi Ainvayi - Band Baaja Baaraat

What? You're just about losing your mind trying to take care of everyone at the party and they're... dancing??? Ok, granted, they can sing and dance, that's great, but do you fire them? Or do you give them a bonus after the event is done? Do you pull up your skirts to jump in and bust a move? Or do you chase after those two good-for-nothings with the cake knife?


4) You just started your new job with this big company and are very excited to make a good impression. So you're sitting at your desk trying to get through all the paperwork they've given you, while stealing glances at your co-workers to see what they're wearing, what kind of conversations they're having, what their group dynamics are, etc. And just when you're starting to feel a little more comfortable and are about to walk over to the neighbour's desk to start a conversation, this starts:


Mr. Perfect - Arya 2

Is this a joke? Is there a hidden camera? Would it look bad if you got up and joined their ranks? Or do you chicken out and go for a washroom break hoping it will be over by the time you come back?


5) You're so late for school today, damn it, took too long to find all the accessories again! Sure the teachers are used to you being late every day, but today there's a test too. Damn it! This could not get any worse! You finally get in front of the highschool... and are met with this scenery:



Deewana Hain Dekho - Kabhie Khushi Kabhie Gham

Now this is a tough one: on the one hand there's the test you're late for. But on the other hand there are all these people on crack, dancing in front of your school... How many tests will you have to pass in your life, and how many more times will you have the opportunity to witness this type of mass hypnosis? What to choose??


6) You're in a theatre... with the boyfriend. Well, not yet the boyfriend, it's only your second date, but he's cute and he makes you laugh. You're both sitting down and looking forward to giggling about the film, at the intentionally and unintentionally funny parts. Then, just as the movie is getting interesting, these people in front of you start dancing in the song:


Woh Ladki Hai Kahan - Dil Chahta Hai

Uh-oh, they're getting up... Do you whistle them to sit down? Do you start laughing at them instead of the film? After all the film you can see again, but such ridiculousness is once in a lifetime! But drats, everyone else is cheering them on... Uh... No way, no way you're also getting up and flapping your arms about like a chicken! And yet... everyone's doing it... well, might as well!


I know there are many many other songs that would make for a great real life WTF moment, I'm just not thinking of them right now, in fact I'm probably forgetting the best ones! But when I do remember them... I will probably be on the subway, and I'll burst into laughter, and people will stare... Bah... they just don't know how to have fun!