Kareena Kapoor

Everyone who knows even a little bit about my filmi tastes knows I love Kareena Kapoor, so no Kapoor Khazana would be complete for me without a post about her. I'm sure part of my love is due to the fact that there is a critical mass out there of people who hate her (I think it has to do with her public persona, but you know... I don't really care about that stuff), but mostly it's because she's a bloody good actress. I remember Shahid Kapoor once saying about her (and I paraphrase) that she could walk into the set, talking on her cell-phone and with a snack in her other hand, put everything down and within seconds give a perfect shot. Aamir Khan has been known to say more than once that he has trouble focusing when she's around because she's so beautiful. While her cousin Ranbir Kapoor never wastes an opportunity to talk about what a natural actress she is. Heck, even Ranveer Singh, the new kid on the block, has been caught gushing openly on camera about how much of a fanboy he is for her.

So with all these stellar endorsements, one cannot ignore that... there's just something about Kareena! And I debated making this the title of the post, until I realized that the title does not need to be anything more than her name. With my well documented tendency to give really long titles to my posts, I'm sure this says a lot. Kareena Kapoor. Bas.

I haven't seen all of Kareena's films and I'm afraid I never will what with her well-known tendency to go from one-of-a-kind masterpieces to disturbingly bad movies (yes, Kambakkt Ishq, you're the front runner of that pack!), but I wanted to do a quick overview of the many faces of Kareena as I have seen them so far.

Kareena the warrior princess
(hey that rhymes with the Xena the Warrior Princess, except Kareena is good looking too! Ha!)

I've gushed about Asoka in the past, so I won't go over it again, but Asoka is a side of Kareena we don't see very often, so it's definitely worth starting with. There is a scene towards the end of the film where she defies the King Asoka that gives me the chills every time. Such raw hate and such power in just one line, it's moments like this that set an actor or an actress above the rest of the overweeping, overacting majority.

Kareena the College Diva

We've seen a lot of that in Kareena's early years, and certainly she has no trouble in these types of roles mostly because they're not very demanding. Films like Main Prem Ki Diwani Hoon, Mujhse Dosti Karoge, Hulchul, show us a haughty, stylish (well, for those years anyway) Kareena who lacks nothing in the self-confidence department.


The crown jewel of those roles is of course her famous Poo in Kabhi Khushi Kabhie Gham, and because I plan a more detailed post to explain why she is the best thing about that movie, I will not get into it too much now. Suffice to say that it takes a diva to play a diva and not many other Indian actresses have what it takes for a role that Kareena cruises through with so much class. Love her or hate her for it, but she rocks those roles like no one else would. Granted, for me that's usually not enough to save a bad movie (which most of the above are), but it sure is fun to watch.

Kareena the Sweet Young Lover

No more the college girl, no more the diva, films like Yuva, Milenge Milenge and 36 China Town still do so well in showcasing that innocence and youthful exuberance that defined Kareena's earlier days, even if they're not all good films. There was a freshness and a lovable quality about her in those days which, mind you, also happened to go marvelously with her old plumper self. It's something I miss in her more recent performances but it probably has a lot to do with her maturing as a person, not just as an actress. Not even Kareena can stay young forever, so I enjoy these roles so much from her precisely because I know we'll never see her in another one again. Of course, this faded only to make room to a more refined actress, so who be I to complain too much about that?

Kareena the Vamp 

I've only seen Fida in this category, but would certainly love to see more movies like this from her. Kareena in a negative role where she gets to be sarcastic, perfidious and evil while also looking drop-dead gorgeous? Yes, please!

Kareena the Prostitute

Another solitary role in her repertoire, though probably not for long (rumour has it she's a high class prostitute in Aamir's next flick), Chameli is one of Kareena's best roles, if not her absolute best. It's hard to even think that this is the same person we had seen as the delicate deaf-mute girl in Chup Chup Ke, as she lights up cigarette after cigarette and throws curses around while parading her alluring body in hopes of anyone buying it for the night. Chameli is more reminiscent of a theatre play than a Bollywood production, with everything good and everything bad that comes out of that, but Kareena's act shines with all the sparkle that is rightfully absent from the rest of the film.

Kareena the Tomboy

Sometimes the movies are great (3 Idiots, Tashan) and sometimes they make me wonder why I am still into Bollywood (Golmaal 3), but Kareena the tomboy is one of my all time favourite characters regardless of the film. I like a girl with personality, and when she gets to be badass too, well, she's definitely got my attention! Whether she's slapping the grin off of Aamir Khan's face, or delivering one of the finest drunken scenes in 3 Idiots; or keeping the two boys on a short leash in Tashan; or just being part of the gang in Golmaal 3 (an otherwise NOT recommended watch); she's such a joy to see on screen. It's funny that I think she does the diva to perfection while other times I'll say she was born to play tomboy roles, but I suppose that's the sign of true talent.

Kareena the Tragic Lover

Drama is certainly one of Kareena's strongest subjects, and we usually get treated to longer or shorter displays of this talent in every one of her movies. But Omkara and Refugee are the two that I think really do justice to Kareena's skill in the tragedy genre. Right from her first film, Refugee, she shows no hesitation in emotional scenes where even seasoned actors tend to overact. Her Omkara director, Vishal Bhardwaj, also really knew how to exploit that in the role of Dolly, the tragic Desdemona in the Indian adaptation of Shakespeare's Othello.

A close runner up would be Kurbaan, where she gave a gut-wrenching performance, but sadly so many things about the movie fell flat for me that I simply can't brush past them only because of Kareena.

Kareena the Item Girl 

This has not been one of Kareena's most successful avatars, mostly because she's not a very strong, or very graceful dancer. She usually gets by in songs because of her stellar facial expressions. But there are a couple of songs that she rocks (no pun intended) and here they are.





Have I forgotten anything? Oh no, you there in the back row shouting and waving, don't worry, I haven't forgotten...

Jab We Met!

Just saving the best for last!

The chatty Punjabi girl with dreams of marriage in her eyes and words of comfort on her lips... very few people can resist her! Pair this up with the defeated, joyless Geet of the second half of the movie and you've got yourself the most comprehensive performance in all of Kareena's career. I'm not sure if I would label it as her best acting (what with Chameli and Omkara also in the run for that trophy), but it definitely is the best showcase for her many talents as she gets to portray just about every emotion in the book in a role that (many agree) was simply made for her. And look, even her dancing was great in it!



The problem with Kareena is that she sometimes makes it very very difficult to be a fan, whether it's by shooting her mouth off about the wrong thing, or by choosing films that are beneath her capabilities and status, while giving the boot to projects that some of her fans (myself included) would love to see her in.

But... despite all that... she still remains: the one and only BEBO!!